Surveying the contemporary rap scene, Kendrick (on Untitled 2) hollers: “I see jiggaboos… I see Styrofoam”. Untitled 1, with its Book of Revelations imagery (“planes falling out the sky, trains fallin’ off the track”) finds Kendrick reproachfully addressing the boss upstairs: “I tithed for you, pushed the club to the side for you, who love you like I love you?” There are gnomic hints of Old Testament wrath amidst the cauldron of conflicted feelings Kendrick ventriloquises. Now subject to the financial pressures of the mainstream, Kendrick must resist the orders to compromise his art.īut then there’s Kendrick’s true master. On Untitled 3, Kendrick describes the antagonistic process of doing business with the exploitative “white man” – “put a price on my talent, I hit the bank and withdraw”. With Kendrick, everything is calculated, and untitled, unmastered.’s un-title can be trusted to carry at least a double meaning. If he wants straight bars, that’s cool.”įor additional coverage of Punch, who says Kendrick Lamar’s untitled unmastered.Jay Z once ruefully eyed hip-hop’s conscious/commercial divide by rapping: “Truthfully, I wanna rhyme like Common Sense / But I did five mill and ain’t rapped like Common since.” This conflict continues to dominate the discourse about rap lyricism, but over the last few years, Kendrick Lamar has been proving that you can bridge that divide.ĭespite his weird voice, his weirder voices, his oblique lyrics and baroque song-structures, ‘King Kendrick’ has sold millions, won Grammys, and managed to (to paraphrase Buzzfeed, probably) ‘break the internet’ simply by releasing a collection of ‘untitled’ off-cuts from last year’s universally lauded and largely anti-commercial album To Pimp a Butterfly. If he wants to do storytelling, that’s cool. I don’t see a weakness in his whole thing. “It’s different styles on there,” Punch says. showcases, he says that Kendrick Lamar shows that his art cannot be categorized. In addition to the creative freedom Punch says untitled unmastered. Most artists have a certain lane they have to stay in, but for him to put out songs along with stuff that he performed on the late night shows, it just shows you that he can do whatever he wants.” There are no bounds to what he can do creatively. “To me, it just means freedom,” Punch says. “ first album doesn’t sound anything like the second album , so it opened him up to where he can do anything he wants. marks a significant moment in Kendrick Lamar’s career. “As far as untitled, me and Kendrick always talked about doing a sort of Black Album, like how Prince did back in the day,” says Punch, referring to the singer’s 1987 album. “There was no album cover, no song titles, no anything - just tracks he threw out.” project was inspired by Prince, TDE’s co-president Punch says during an interview with Billboard. Dre & Snoop Dogg Looking To Recreate '2001' Magic
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#UNTITLED UNMASTERED REVIEW YOUTUBE MOVIE#
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